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1-10 of 22 reviews |
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Hacking choreography: dance and live coding
Sicchio K. Computer Music Journal 38(1): 31-39, 2014. Type: Article
“What happens when algorithmic instructions are produced and given to dancers in real time and allow choreography to be created in front of an audience?” asks Sicchio (page 32). And what happens when hacker culture ...
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May 5 2015 |
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Computation as material in live coding
Bovermann T., Griffiths D. Computer Music Journal 38(1): 40-53, 2014. Type: Article
In “live-coding” concerts, musicians interactively perform on stage, programming activities that dynamically drive audio synthesis systems; computer screens or dedicated video outputs are displayed for the audience ...
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Apr 23 2015 |
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Mapping control structures for sound synthesis: functional and topological perspectives
Van Nort D., Wanderley M., Depalle P. Computer Music Journal 38(3): 6-22, 2014. Type: Article
A mapping or a function is a rule that assigns a unique entry y for a given argument x, for example y = Sin x. This paper takes a holistic approach to this cla...
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Apr 22 2015 |
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Compositional and performance mapping in computer chamber music: a case study
Lyon E., Knapp R., Ouzounian G. Computer Music Journal 38(3): 64-75, 2014. Type: Article
Anyone familiar with the work of Stelarc [1], who administers electrical stimulation to parts of his body for public performance pieces, will quickly grasp the idea of how physical gestures can be used to trigger digital audio synthesi...
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Mar 27 2015 |
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Joint recognition of raag and tonic in North Indian music
Chordia P., Şentürk S. Computer Music Journal 37(3): 82-98, 2013. Type: Article
In Indian music, including Indian classical music, one can keep the tonic at any pitch as the reference point from which other notes are realized. This is in contrast to most Western classical forms, where a particular musical piece ha...
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Dec 20 2013 |
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A multidimensional environment for the exploration of musical content
Tardón L., Sammartino S., Barbancho I., Barbancho A. Computer Music Journal 36(3): 73-83, 2012. Type: Article
Two things can be readily said about music: musical content is multidimensional, and there is no unique way of describing musical content....
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Feb 6 2013 |
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An offline, automatic mixing method for live music, incorporating multiple sources, loudspeakers, and room effects
Terrell M., Sandler M. Computer Music Journal 36(2): 37-54, 2012. Type: Article
Concert lovers have come to expect top-quality live music performances to match what their CD- or MP3-fed high-fidelity home sound systems deliver. However, the daunting task of ensuring a consistent aural picture that is as good as po...
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Oct 25 2012 |
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Regular expressions as violin bowing patterns
Hall C., O’Donnell J. Computer Music Journal 36(2): 74-84, 2012. Type: Article
A regular expression (regex) is a mathematical notation used to search for a particular string of text using patterns to manipulate that text in some way. Using the music engraving software LilyPond, Hall and O’Donnell descri...
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Aug 20 2012 |
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Two pioneering projects from the early history of computer-aided algorithmic composition
Ariza C. Computer Music Journal 35(3): 40-56, 2011. Type: Article
Anyone interested in computer-aided algorithmic composition (CAAC) will likely be acquainted with Hiller’s remarkable contributions from his research publications as well as from his compositions. The latter inspired many ind...
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May 17 2012 |
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Tempo induction from music recordings using ensemble empirical mode decomposition analysis
Trohidis K., Hadjileontiadis L. Computer Music Journal 35(4): 83-97, 2011. Type: Article
While many semantic analysis methods for text information exist, the vast majority of current data is of a multimedia nature, which makes the extraction of meaningful knowledge a whole different story. In particular, the case of music ...
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Feb 3 2012 |
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